I don't think the article needs to get you all the way from A to S to be useful. A Fourier transform doesn't tell you why a song is good either, but understanding harmonics can still improve your mental model of sound. Same with temperament, intervals or why a keyboard is laid out the way it is.
I'm sort of the opposite - when I can name something, then play it, then I can hear it. E.g., going from minor third to major third to root. I can't "unhear" that in blues-based music now. But before it had a "name" it was just an interesting sounding "thing" that didn't pop out to me in any specific way.
I think there's still a pedagogical niche for what the article is doing. For someone coming from programming, "here's why these conventions aren't completely arbitrary" can be the thing that gets them interested enough to later learn harmony properly
There’s a night-and-day difference between frontier and budget models, no question. But the issue isn't the tooling at all : if you put someone who doesn't know the rules of the road on a $15k carbon road bike, they're just gonna slam into a telephone pole at 30 mph instead of 6 mph
Just let him take down prod on a friday night once and leave him to deal with the PagerDuty alerts solo. Cures the urge to vibe-code infrastructure real fast
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